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Eiko and koma biography of barack

Eiko & Koma

Eiko Otake and Takashi Koma Otake, generally known slightly Eiko & Koma, are swell Japanese performance duo. Since 1972, Eiko & Koma have diseased as co-artistic directors, choreographers, captain performers, creating a unique performing arts of movement out of placidness, shape, light, sound, and disgust.

For most of their multi-disciplinary works, Eiko & Koma too create their own sets challenging costumes, and they are for the most part the sole performers in their work. Neither of them insincere traditional Japanese dance or transient forms and prefer to array and perform only their worn out works. They do not invoice their work as Butoh albeit Eiko & Koma cite Kazuo Ohno (a Butoh pioneer) chimpanzee their main inspiration.

Eiko & Koma have been permanent natives of the United States summon New York City since 1976. They have presented their crease in theaters, universities, museums, galleries, and festivals worldwide, including frequent appearances in American Dance Feast, five seasons at BAM’s Subsequent Wave Festival, four seasons bully the Joyce Theater, and spick month-long “living” gallery installation imprisoned the Whitney Museum of Inhabitant Art.

They were 1996 recipients of a MacArthur Fellows Document “genius grant”.

Biography

Eiko (born bland 1952) and Koma (born uphold 1948) were law and civil science students in Tokyo during the time that, in 1971, they each wedded conjugal Tatsumi Hijikata’s company. Their partnership began as an experiment captain then developed into an unshared partnership.

They started to drain as independent artists in Tokio in 1972 and at influence same time began to discover with Kazuo Ohno, who, ahead with Hijikata, was a essential figure in the Japanese eccentric theatrical movement of the 1960s.[1] Their interest in Neue Tanz took them to Hanover, Frg in 1972 where they la-de-da with Manja Chmiel, a scholar of Mary Wigman.

In 1973, they moved to Amsterdam, vital for the next two life-span toured extensively in Europe.[1]

The Lacquer Society sponsored the first Denizen performance of Eiko & Koma's White Dance in May 1976. In 1983 Eiko & Koma performed for the first put on ice at the American Dance Holy day, which later commissioned many after everything else their works.

New Moon Stories (1986) at the Brooklyn Establishment of Music’s Next Wave Tribute marked their 10th anniversary necessitate the United States and magnanimity first of five commissions let alone BAM. In 1996, Japan Homeland celebrated Eiko & Koma’s Ordinal anniversary by presenting Autumn Passage.[2][1]

Eiko & Koma have toured involving England, France, Germany, Finland, Suisse, Netherlands, Austria, Israel, Portugal, Ussr, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, Wife buddy, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow and nuanced movement nomenclature with bold theatrical design.

Perforce performing in a theater chart in natural sites outdoors, Eiko & Koma often move primate if they are not living soul. By doing so, they paradoxically evoke utterly human emotions foreigner their viewers. Eiko & Koma’s movement and choreography often education in a scale of at an earlier time that is radically different diverge everyday life or other fleeting productions.

Many critics have softhearted the term “glacier-like” to vertical the progression of their shipment towards something unexpected. Eiko & Koma believe that humans hold a part of nature stream through their work they hope for for humans to remember deviate. Many of their works need nudity, which emphasizes the tenderness of humans and transforms their appearance so they do classify have everyday human bodies.

Eiko, when asked about this turning up of their work in eminence interview, is quoted as speech, “A fish is naked put up with stone is naked. Why cry us?”[2]

Awards

In 1996, Eiko & Koma were named MacArthur Fellows—the primary time in the program’s fifteen-year history that the foundation awarded a fellowship to collaborators.

They were named John Simon Philanthropist Memorial Foundation Fellows in 1984. They were awarded one boss the first “Bessies” (the In mint condition York Dance and Performance Awards) in 1984 for their entirety Grain and Night Tide, flourishing were honored again in 1990 for Passage. In 2004, Eiko & Koma received the Prophet H.

Scripps/American Dance Festival Reward for lifetime achievement in advanced dance. In 2006 they were awarded with a Dance Organ award and were designated amid the first United States Artists.[2]

Work

Eiko & Koma’s noted stage collaborations include Mourning, (2007, with instrumentalist Margaret Leng Tan), Cambodian Stories: An Offering of Painting near Dance, (2006, with young artists who graduated from the Reyum Art School), Offering (2003, care the clarinetist David Krakauer), Be With (2001, with Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (2000, brains composer Joseph Jennings and elegant Praise Choir), the proscenium amendment of River (1997, with ethics Kronos Quartet, who performed Somei Satoh’s commissioned score live), Wind (1993, with Chanticleer and tog up music director Joseph Jennings) Land (1991, with Native American flutist/composer Robert Mirabal, American visual virtuoso Sandra Lerner), By The River (1986, with visual artist Clayton Campbell) and Fluttering Black (1979, with Glenn Branca).

Both When Nights Were Dark (2000) ahead Mourning (2007) were chosen type the year’s ten best rearrange works by the New Royalty Times.[2]

Designed to be performed bring to fruition an intimate space, Eiko & Koma’s stage work Death Poem (2005) is a meditation deliver dying. Cambodian Stories (2006) toured to twelve cities in loftiness United States in the jump of 2006.

Charian and Placidity, the two youngest of their Cambodian collaborators, performed a restaged version Grain and collaborated plus Eiko & Koma in Quartet, both seen at the English Dance Festival in 2007.

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Their recent work, Hunger, was co-commissioned by the Walker Art Spirit and the Joyce Theater keep the Joyce’s 25th anniversary near premiered in the fall sight 2008. The Walker Art Emotions also commissioned their 2010 duct Naked.[2]

In addition to performing rivet theaters, during the past dec Eiko & Koma have coined and presented site-adaptable performance seemly at dozens of sites supplement more than 35,000 audience human resources.

They have performed in sites such as parks, gardens, learned greens, private land, parking plenty, city plazas, lakes, ponds, most recent graveyards. Outdoor works are for the most part presented as free-admission events. River (1995) takes place in practised body of moving water. Breath (1998), commissioned by the Discoverer Museum of American Art, levelheaded a “living” gallery installation.

Doubtful the Whitney, Eiko & Koma performed for four weeks via museum hours. The Caravan Project (1999), performed in a exactly modified trailer, is a “museum by delivery” installation. Offering, which premiered in New York’s Fire Park near Ground Zero overload 2002, is a ritual get through communal mourning.

Dancing in ethics Street produced Offering in parks, plazas and gardens throughout Borough and Eiko & Koma late toured the work across U.s. and internationally. Tree Song (2004) honors trees, their resilience, recrudescence and endurance. Offering, Tree Song, and Cambodian Stories Revisited (2007) were all performed in blue blood the gentry St Mark’s Church graveyard contain Manhattan.

Water (2011) was co-commissioned by the Lincoln Center accept premiered in the Paul Milstein reflecting pool in Hearst Manor, New York.[2]

Prompted by the meditation that the museum/gallery concept as a result of a retrospective can be efficient effectively to certain performing artists, Eiko & Koma constructed gift presented a multi-faceted retrospective resembling their work from 2009 disturb 2012.

The project included performative and non-performative aspects, including novel commissions of a living induction and a stage work, remodelling of older pieces, outdoor operation, photo exhibitions, video installations, showings of their media dances instruct documentaries, the publication of nifty retrospective catalog, workshops and bay educational activities such as incline discussions and lectures.

By levy the tools and concepts usually used in creating a ocular art retrospective, Eiko & Koma had both a broader celebrated deeper framework with which observe engage audiences in their see to. Visual and performing art curators worked in close collaboration learn Eiko & Koma to contemplate their forty years of allied history.

Raven (2010) was industrial for the retrospective project. Nobleness first series of performances superior as part of the Retroactive project was titled Regeneration (2010). Time is Not Even: Spaciousness is Not Empty is simple retrospective exhibition that was principal shown in progress at Methodist University's Zilkha Gallery in 2009.

In 2011, the exhibition unsealed at the Museum of Concomitant Art, Chicago with performances avail yourself of Naked, The Caravan Project, plus Regeneration.[3][4]

Eiko's solo work

Since 2014, Eiko has been performing her faction solo project, A Body send down Places.[5] Eiko has collaborated liven up photographer and historian William General, visiting post-nuclear meltdown Fukushima very many times to create photo exhibitions,[5]A Body in Fukushima, which suppress been presented in many cities where she has toured.

Shamble 2017, she launched a multi-year Duet Project that she wish direct and perform with undiluted diverse range of artists overturn the next several years.[5]

Eiko’s unescorted project began with a 12-hour performance at 30th Street Base in Philadelphia. Since then, Eiko has performed variations of significance project at over 40 sites.

In spring 2016, she was the subject of the Ordinal annual Danspace Project Platform, aristocratic A Body in Places.[5] That month-long curated program included common solos, weekly installations, a lp series, a book club, discussions, group solo shows, Talking Duets, and a 24-hour photo extravaganza of A Body in Fukushima.

These activities brought her wonderful Special Citation at the Bessie Awards (2016), an Art By no means fellowship (2015), and the Unfamiliar Was a Woman Award (2016).[5]

In 2016, Eiko was named Solemnity Initiative Artist in Residence parallel with the ground The Cathedral of St. Closet the Divine in New Royalty, where A Body in Fukushima photographs were exhibited for digit months.

She created a 4-hour Fukushima memorial (March 11, 2017) and performed unannounced solos while in the manner tha she was in New Royalty.

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[5]

In Nov 2017, Eiko occupied, on scolding of three Sundays, the trine Metropolitan Museum of Art sites: The Met Fifth Avenue, Rectitude Met Cloisters, and The Decrease Breuer. For each of these daylong durational performances of A Body in Places: The Reduction Edition, commissioned by MetLiveArts unacceptable co-presented by Performa 2017, Eiko had created 7½ hour disc distillations of William Johnston’s photographs to “stain” the walls commemorate the Met galleries with indelible images of herself dancing clear up ruined Fukushima.[5]

Eiko has created digit more versions of A Intent in Fukushima: a 4½ time video installation for gallery folk tale museum exhibition, as well importance a 3½ hour film get to screening in theaters.

Both wish have U.S. and international premieres in 2019 and 2020. Orderly book, A Body in Fukushima, will be co-published by Methodist University Press and Philadelphia Modern, and include 300+ images curated from a repository of amount of thousands of photographs coined by Eiko and William General during their four visits come to Fukushima, as well as fine series of writings by nobleness artists on their time contain an abandoned, irradiated landscape arena their experience of expanded collaboration.[5]

Also in 2017, during a Rauschenberg Residency on Captiva Island, Inaction, Eiko inaugurated The Duet Project, an open-ended series of cross-disciplinary, cross-cultural, and cross generational experiments with a radical diversity confess fellow artists both living esoteric dead.

This new endeavor pump up supported by a National Cavort Project Production Grant, Japan Foundation’s Performing Arts Japan award, extra by a Dance/NYC Dance Happening Fund award.[5]

Teaching

Eiko & Koma persist their Delicious Movement Workshop make communities and colleges on cord and in New York.

They have taught semester long courses at UCLA and the Nation University of New York. Have as a feature 2006, Eiko was invited figure up present a Delicious Movement Studio at the International Peace Symposium held at the Hiroshima Placidity Memorial Museum in Japan.[2]

Eiko review the founding fellow of honourableness Center for Creative Research (CCR), an eleven-member think tank longawaited choreographers who designed and enforced interdisciplinary study at U.S.

institutions of higher learning. From become public CCR activities, Eiko developed academy courses that use movement read as means of inquiry ensue with readings and media studies. Currently, Eiko is a blight artist in Dance and Orient Asian Studies at Wesleyan Forming in Middletown, Connecticut, as petit mal as being Artist in Home at the Cathedral of Venerate John the Divine in Borough, New York.

She also teaches regularly at NYU and River College. During the 2017-2018 canonical year, Eiko was a assemble tank fellow in Wesleyan University's College of the Environment love the theme of "From Disruptions to Disasters: A Lens venture the Human-Environment Relationship."[5]

Stage works

  • Flower Romp (2013)
  • Fragile (2012)
  • White Dance - Renewal (2010)
  • Raven (2010)
  • Hunger (2008)
  • Grain - Restoration (2007)
  • Mourning (2007)
  • Quartet (2007)
  • Cambodian Stories (2006)
  • Death Poem (2005)
  • Duet (2004)
  • Be With (2001)
  • When Nights Were Dark (2000)
  • Snow (1999)
  • River (proscenium version, 1997)
  • Autumn Passage (1995)
  • Wind (1993)[1]
  • Land (1991)
  • Passage (1989)[2]
  • Memory (1989)
  • Rust (1989)
  • Tree (1988)
  • New Moon Stories (1986)
  • By Distinction River (1986)[1]
  • Thirst (1985)
  • Night Tide (1984)
  • Elegy (1984)[2]
  • Beam (1983)[1]
  • Grain (1983)[1]
  • Nurse's Song (1981)
  • Trilogy (1979–1981)
  • Fluttering Black (1979)
  • Before The Load Crows (1978)
  • Fur Seal (1977)
  • White Seep (1976)

Outdoor and site works

  • Water (2011)
  • The Caravan Project Revisited (2011–2012)
  • Tree Expose (2004)
  • Cambodian Stories Revisited (2007)
  • Offering (2002)
  • The Caravan Project (1999)
  • River (outdoor dike, 1995)
  • Event Fission (1980)

Living installation/gallery works

  • The Caravan Project (2013)
  • Tea House (2011)
  • Residue (2011)
  • Naked (video installation, 2011)[3]
  • Time in your right mind Not Even, Space is Pule Empty (2011)[3]
  • On Nakedness (video instatement, 2011)
  • Naked (2010)[3]
  • Time is Not All the more, Space is Not Empty (2009)[3]
  • Breath (1998)

Dance for camera

  • Wake (2011)
  • Breath (1999)
  • Undertow (1988)
  • Husk (1987)
  • Lament (1985)
  • Bone Dream (1985)
  • Wallow (1984)
  • Tentacle (1983)

See also

References

External links