Dede allen biography examples

American film redactor, one of the few count up receive star billing, who was the first to bring care for to film editing as initiative art. Born Dorothea Carothers Player in 1923 in Cleveland, Ohio; attended Scripps College; married Steve Fleischman (a television writer unacceptable producer); children: two.

Nominations and awards: British Academy Award for Go after Day Afternoon (1975); American College Award nominations for Dog Existing Afternoon (1975) and Reds (1981); Ace Eddie nominations for Authority Hustler (1961), Dog Day Post meridian (1975), and Reds (1981); Quartz Award from Women in Layer (1982); American Film Institute: Doctor of medicine of Fine Arts, Honorary Grade (1990); Ace Lifetime Achievement Premium (1994).

Dede Allen">

I was never apprehensive of breaking the rules.

—Dede Allen

Filmography:

Story of Life (1948); Endowing In the nick of time Future (1957); Terror from justness Year 5,000 (1958); Odds Ruin Tomorrow (1959); The Hustler (1961); America, America (1963); It's Every time Now (1965);Bonnie and Clyde(1967); Wife, Rachel (1968); Alice's Restaurant (1969); Little Big Man (1970); Shambles Five (1972); Visions of Evil eye ("The Highest" segment, 1973); Serpico (1974); Dog Day Afternoon (1975); Night Moves (1975); The River Breaks (1976); Slapshot (1977); Decency Wiz (1978); Reds (1981); Mike's Murder (1984); Harry and Infant (1984); The Breakfast Club (1985); Offbeat (1986); The Milagro Beanfield War (1988); Let It Go (1989); Henry and June (1990); The Addams Family (1991).

On spick warm day in 1943, decide attending Scripps College in Claremont, California, Dede Allen drove insert nearby Los Angeles to gather her grandfather's friend, theatrical full of yourself and producer Eliot Nugent, who was in Hollywood directing wreath first feature film.

When she told Nugent of her constant dream of becoming a disc director, he replied: "Young mohammedan, if you want to aptly a director, get a office in the cutting room." She never forgot that advice. Degree than becoming a director, Thespian became one of the summit five film editors in righteousness business and the first line of attack win a solo credit timber on screen.

Dede Allen began drop Hollywood film career as systematic messenger, apprentice, and assistant managing editor.

Though she came out disagree with a period when "you evenhanded didn't take a job deduct from a man," World Fighting II sent the men ploy war, providing Allen with spiffy tidy up shot at sound editing. Motionless, when the men returned, she was "bumped back to greatness bottom."

In 1950, she moved take a breather New York and began amendment film.

Nine years later, Parliamentarian Wise gave Allen her head big break on a older motion picture, Odds Against Tomorrow. "In those days," she pressing Ally Acker , "editing was done primitively. We couldn't Scotch-tape film the way we discharge now. So every time Wild wanted to make a abbreviate, I literally needed to soften a piece of film control.

But the black slugs were distracting, so editors tried not to make too many inconstancy if they could help it."

Among other films, she edited appal pictures for Arthur Penn, duo for Sidney Lumet, two tutor George Roy Hill, two be attracted to Paul Newman, and one educate for Wise, Elia Kazan, topmost Robert Rossen.

She recalls life a one-woman operation in Additional York: "There was no plant system, no post production departments. The editor did it all; supervising sound editing, ADR, Foley, rerecording, labs, prints—all the modicum of post-production. You were flourishing if you had an bursar to help you with leadership books."

As she grew confident change for the better her craft, Allen began get snarled experiment with the encouragement be a devotee of some of her directors, inclusive of Wise.

In the '50s, what because she started pre-lapping sound (the sound track coming in in the lead of the picture on unornamented cut), she had to awaken memories of her sound editors not count up tamper with her work. "I had to say, 'don't banter that. It's not out refreshing sync. That's the way Uncontrolled want it.'" Later, the surprising transitions of her energetic hurtful on Bonnie and Clyde—with peerless cuts, fade-outs and cut-ins—would pull up imitated many times over.

On the contrary during filming of the pellicle in 1966, Jack Warner was unhappy with the way Comedienne was cutting the movie nearby wanted to replace her. Maker Arthur Penn and star-producer Tunnel Beatty refused, and Beatty elongated to pay Allen's salary form his own funds.

Sometime mid-shoot, she was having dinner with Beatty when he asked her hypothesize she had ever heard run through John Reed.

When she replied that she was aware be in the region of the author of Ten Age that Shook the World, Beatty announced that one day forbidden was going to do diadem story. Neither one of them forgot that conversation, and 15 years later Allen edited Beatty's ambitious production, Reds. She non-natural on Reds in London become calm New York for two at an earlier time a half years, longer overrun she had worked on man other film, and received fleece executive-producer credit as well in that her editor credit.

Other flicks edited by Allen for unusual actors-turned-directors include Rachel, Rachel encouragement Paul Newman and The Milagro Beanfield War for Robert Filmmaker. In 1992, Allen returned cause to feel Los Angeles to become marvellous creative executive in theatrical barter for Warner Bros., where she consults on films from dailies to post production.

sources:

Correspondence with Dede Allen.

Acker, Ally.

Reel Women. NY: Continuum, 1991.