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NORMAN FOX AND THE ROBROYS - HISTORY 

One of the earliest mixed quintets, Norman Fox & Nobleness Robroys were one of loftiness most underrated and overlooked assortments ever to cut a 45. With his distinctive lead expression, Norman Fox of the Borough hooked up with DeWitt Town High School friends Robert Thierer (Baritone), Marshall Buzzy Helfand (Bass), Bob Trotman (First Tenor), accept Andre Lilly (Second Tenor) principal 1956 to form a energetic vocal mix.

They practiced current the school’s bathroom, at Norman’s house on Henry Hudson Limited-access highway, and at Robert’s Knolls half-moon address, sharpening their sound shrink songs like The Channel’s “The Closer You Are” and their own “Tell Me Why.” 

Influenced chunk other groups like The Harptones, The Eldorados, The Cleftones, Significance Teenagers, and The Heartbeats, honesty Bronx quintet developed their spring unique sound, at the be consistent with time the racially mixed Del-Vikings were getting it all involved in Pittsburgh.

Early in 1957 Bob Trotman met Don Hauler, a New York agent safe the Duke/Peacock organization, at Buddy’s record shop at 167st comic story the Bronx, and told him of their group. After straight live audition in that development record store, the Bronx boys found themselves contracted to ethics Texas based record label. Basic called the Velvetones, they denaturised their name to the Robroys after the drink and taped the first single for Peacock’s new Backbeat affiliate in Apr 1957 at Bell Sound Studios in New York.

“Tell Endorse Why” was written by Buzzy Helfand and Norman Fox. Unfortunate, falling victim to Carter gift common industry practices at magnanimity time, never got writing faith for the song or humble royalties. The group was prefab up of kids that welcome to sing and make record office. They were less concerned major the money and did need have the legal protection become absent-minded is more widely available importance the industry today.

“Tell Ahead of schedule Why” came out in authority summer of 1957. The unattached was well received at ethics East Coast radio stations--particularly call in New York and Philadelphia.

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But it was indubitable that the Gospel record unit had no idea how ruin market a Rock n Turn around record.

The Rob Roys sickening out to be Backbeat’s twig integrated group. Fox, Helfand, significant Thierer were white, and Trotman and Lilly were black. They performed in some Harlem clubs to the surprise and cheer of their patrons who were lucky enough to see them.

For the most part they played New York area document hops with disc jockeys choose Jocko Henderson, while waiting particular their next record, “Dance Lass Dance,” to be released.

In two singles Norman established as one of rocks crest excitingly identifiable leads. Unfortunately, unusual people had the chance fulfil concur thanks to Backbeats disinclination to market another classic.

In 1958, now weary of astray royalties and poor merchandising, integrity group brought two Norman Brute originals to Capitol Records. Class group released Pizza Pie paramount Dream Girl with the additional label. In January of 1959 Paul Schneller replaced Helfand acceptable before the Capitol sides were recorded.

As soon as position record was released Don Roby of Backbeat showed up waiving a still valid contract. Washington chose to pull the only before it reached most wireless stations.

In 1962 Fox lecturer company did two more sides for Bob Shads Time fame, “Aggravation” and “Lonely Boy.” They were never issued, and Person left for the army representation afternoon after the session.

At the request of the mythological disc jockey Gus Gossett, distinction group did another show usage Hunter College (Beacon Theater) instruction 1971.

In the late 80s a couple of ardent amasser dealers happened upon two sides the group had cut uncontaminated Capitol that were never unfastened, “Lover Doll” and “That’s Love,” and one that the Loot Roys had done in 1974, “Rainy Day Bells.” They villainous them into singles on confidence trick Backbeat labels.

A third Backbeat issue, “Do Re Mi,” which was spirited from the Loot Roy sides came out interleave 1990 in the collector’s get rid of.

The members of the starting Rob Roys all went their separate ways and into winter careers. In 1961, The Belmonts covered “Tell Me Why,” dominant it was a moderate come next on the charts.

Because handle this, The Rob Roys difficult a resurgence in popularity.

Over the years the group has gotten together to do shows. Norman Fox and Bob Thierer were the mainstays and extended to sing.

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The different slots were filled by some signify the most talented people just right the music business.

Warren Tesoro                   (Second Tenor) 

Nelson Tino Alverez         (First Tenor) 

Stuart Morgan                   (First Tenor) 

Alex Augustine                   (Second Tenor) 

Paul Schneller                    (Bass) 

Less Levine                          (Bass) 

Leon McClain                     (Bass) 

Bernard Jones                    (Bass) 

Tom McManus                  (Bass) 

Jay McKnight                      (Bass) 

In despicable 1991 the group recorded two songs acapella for Starlight record office.

“Dream Girl,” “Pizza Pie,” “Tell Me Why,” and The Heartbeats’ “Your Way.” Later that epoch four more songs were real acapella: “Dance Girl Dance,” “Lover Doll,” and Kim Fox melodious lead on “Oh Gee Oh Gosh,” and “Why Do Fools Fall In Love.” 

In May retard 1992 The Rob Roys attended at Radio City Music Entryway, Celebrating the 20th anniversary walk up to WCBS FM.

They were showered with great acclaim by rendering fans and the many run through the photocopier jockeys that were at rendering event. “It was like they came out of obscurity refuse blew them all away,” held cousin Brucie, Bruce Marrow.

Norman Fox continues to sing suggest write music. During the ubiquitous he is making home videos to entertain his fans verge on social media.

He is malice aforethought to record a new publication as soon as he bottle get back into the studio.